poem

This is another piece that was sitting in drafts forever, but I couldn’t figure out the ending. Three nights ago, I was stewing about it again as I got into bed, and the last three lines finally came to me.

I’m excellent at naming my theoretical books and then, as I write, I mentally note where each new poem would belong, to which book. I have one conjured with a few poems that would populate it called: State Bird of Illinois, and this would obvs belong there.

a dark wolf with a broken tooth

The nice thing about just writing poems immediately as they arrive and then closing them is that eventually you have tons of poems sitting in storage. I cleaned out a notes app recently and found loads of poems stretching back years that are in varying states of polish. I like this one.

The Sealed Wing

I wasn’t sure if I liked her for a long time, and then I remembered that I don’t have to, if I like what she’s doing. She’s from a dream that was so crisply narrative, I wrote it and cut it apart to find out what a slant reflection and undercurrent of it was.

Making poems in this or other defamiliarized ways often feels like the scene in Legend when weakened sunlight penetrates the underworld through a series of reflections from strategically placed mirrors.

Lifetime Astrological Transits

An astrology client asked me for a timeline of the major transits we experience in life. These are all rough ages, as due to individual charts and the geography of where a person was born, when these occur might shift slightly. For instance, I first felt my Saturn return at 27 and the Pluto square at 35.

All of these have been written about thousands of times over, so there are many further resources for reading available.

Astrology Timeline: Birth to Elder Years

Childhood

  • 7–8: Opening Saturn square – First awareness of independence.
  • 9: Nodal opposition – Shifting priorities, social awareness.
  • 11-12: Jupiter return – Confidence, growth, puberty.
  • 14-15: Saturn opposition – Maturity, responsibility.
  • 18–19: Nodal return – Major life transitions such as vocation, college, career, adulthood.

20s

  • 21–22: Closing Saturn square & Opening Uranus square – Career & life choices, evolving individuality.
  • 23-24: Jupiter return – Expansion, optimism, “getting in” to your life.
  • 28–30: Saturn return – Adulthood challenges, forced maturation & self-parenting (career, relationships, stability).

30s

  • 36–37: Nodal return & Opening Saturn square – Reassessing/calibrating life direction.
  • 37–44: Pluto square – Foundational transformation, destruction of what’s false, facing shadows.
  • 39–40: Neptune square – Questioning purpose, seeking meaning, dreaming of “what else’/the unlived life.

40s

  • 4245: Uranus opposition – Along with Pluto square and Neptune square, the heart of the “Midlife crisis,” breaking conventions, seeking other paths, shakeups that lead to liberation.
  • 4445: Saturn opposition – Testing lessons from the first Saturn return.
  • 48–51: Chiron return – Healing, mentorship, life review, old wounds revisited for mature/wiser address and healing.

50s

  • 51-52: Closing Saturn Square
  • 5455: Nodal return – Revisiting/updating life goals, what we want, and what we are shedding, where we have slacked vs where we have grown
  • 58–60: Saturn return – Wisdom, legacy, long-term or retirement shifts.

60s+

  • 62–65: Closing Uranus square – Embracing freedom in later life, realizing where we are too free and do not want to be, and where we are cloistered and need liberation.
  • 64–67: Opening Saturn square – Reflecting on commitments, goals met or missed, surveying wisdom used or ignored.
  • 72–74: Nodal return, Jupiter return, Saturn opposition – Integration of life lessons, choices, and experiences coming home to roost.
  • 82–84: Neptune opposition – Spiritual reflection.
  • 82-85: Uranus return – Full-circle wisdom, acceptance.

Cross-town

I’m cleaning out drafts, and this has been sitting for a couple of years. I scroll past it, but I’m not sure why. I think that I dislike talking about Chicago for a pile of reasons. Chicago is directly on my Pluto line, which fits because I had several severe, near-death experiences there and decades of trauma. But mostly, now it is truly somebody else’s life. It’s so far from me and who I am, it feels more like speaking about a character I studied. It’s something I lived through and something I survived. It’s a city full of traps, ghosts, and bruises.

________

I met an older woman from Chicago. It doesn’t happen that often out here. I don’t know how it quite came up. She was talking about her struggles to see all Cubs games via Roku, so I knew our soft rift was coming—a forked divergence. I didn’t break it to her right away. It’s a specific dialect in split hairs based on the prejudices and proclivities of symbolic geography. 

She went into her history, of her Grandfather at WGN in the 30’s, Bozo, her Dad’s work with the McCaskeys, where she was on September 11. It’s a thing. She wanted what I have too, but mine’s just meager: the registrar at the Art Institute in the 20’s, being a sommelier at Jordan’s starred, fine dining space, some service staff at the Armour mansion, and 86ing a drunk, young Pritzker on Michigan Avenue.

I don’t share much. My people just survived. Some with airs and aspirations, a fading knowledge of old world stability, some without any at all except hunger and harm.

I got in mild trouble for 86ing that Pritzker, from the kind, but inauthentic boss who asked me out so gently and respectfully once and even though he was handsome, tall, and perceptive, I could tell he spent time binge drinking to try and ignore those deeper parts of him, and betraying his authenticity to fit in with groups that I doubt he actually wanted to fit in with. He surely sat in the bleachers at Cubs games with college friends who made women feel unsafe, his pressed khakis and button-ups to mask whatever he was really feeling inside. 

I didn’t want to be somebody’s way they figured themselves out. I was already too far working on the inside and dissecting my wounds for wisdom to spend time helping someone skirt around theirs. I was already the sharp knives version of me, all starving and edges to parse through what had happened with maximum perseveration and zero safe connection to my body. A smear of ether, defense, and sparks everywhere I went to make some sense of it. All reactivity and survival.

That was the same place the other manager cornered me in the back of the house, asking me why I wouldn’t go out with him while getting closer and closer until I couldn’t move except to shove past his arm hard with my left hip. I told that other nice, tall manager, who actually got it, and it never happened again. 

It was a funny place, in the heart of Gold Coast, where all sorts of notables would stay when they flew in for their appearances and talks. Lots of politicians and newscasters, and niche celebs. Beautiful high-end sex workers and jazz musicians between sets at nearby hotel lounges.

In that same place, the third manager (who was depressed, but real) and I talked about music, and he loaned me his Silver Mt Zion albums. He asked me out, too, but my policy was always the same – I don’t date people I work with, so that was that. And anyway, I was already getting ready to be done with being sad. It’s telling how many were drawn to me when I was all wounds, and the frenzy of alchemical and visceral work to fix them, the place where pain is distilled into the fuel for transformation.

There was a server named Christian who had eyes that showed he was pieces inside from having been raised in a cult that wasn’t kind to children. He spoke about it freely, and there was a peace I had when working with him because we could feel the reality of the other. He was at an age where he was processing—far enough away from the events, but not so far that he had found a way to live with it yet. By saying it, he was hearing his story hit air, and making sense of it based on reactions from others. I don’t know if he knew it, but we were all protective of him.

And I worked with a middle-aged man, a functioning drug user who managed his use well and always called me ‘fine-ass’ plus my first name, with a smile, which from him wasn’t gross but hilarious and somehow managed to be a genuine compliment. And his cousin, who was so nice, but managed his drug use far less well, so we all helped him out to make it through each night smoothly. The first one taught me that you can say anything you want as long as you smile while you’re saying it. 

That’s where I was working when the WTC was bombed. I had to go to work that day before planes were grounded because nobody could fly out, and the tall manager thought it would be busy. I went into the city, the only vehicle on Lake Shore going in, while every car was streaming out. That day, Stan Lee was dining because his flight was canceled, and one of the servers was thrilled, but it was hard to be excited because the news was of things actively collapsing. A server named Julia was in the bathroom, throwing up, waiting to hear from her family. Later when she moved away, I moved into her Pilsen apartment.

Once, when I was buying wine for another restaurant, I left for lunch and went to The Drake to meet my other manager, a man who looked like a comic book hero and used to be a pro volleyball player. We were buying wine at auction for the high-end MJ restaurant. MJ drinks extremely good left-bank Bordeaux. In those days, the manager drove out to MJ’s house to drop off cases of Bordeaux from the 60s, and in 90-degree weather, he’d be drinking glasses of 1st growths while he hit golf balls out on his driveway.

Once I hit his shoulder with a Billecart-Salmon Rosé cork, and he was really nice about it. Once, I accidentally poisoned his lawyer with shellfish during an anxiety attack. I was always starving then.

That day at the auction we sampled bottles from the 30s and 40s and then I ran back and delivered salads dotted with dates and cornbread croutons, rolled up some silverware in napkins, and walked out into the night for the long, unsafe walk up the beach past small parties and up-to-no-goods and solos contemplating things, to the maddening concrete apartment where there was nowhere to go but on to the page. 

In the conversation with the older lady, we get to the part where she’s asking where my people are from. It’s hard to explain quickly. I say my dad’s family is from the South Side, which isn’t true, but it’s a shorthand for Irish that she’ll understand, and easier than explaining the North Side Irish, and Dean O’Banion, and then the family’s eventual settling in the suburbs. It’s enough to differentiate us. It’s enough to let her know: Catholic and White Sox. And then I add: My Mom was born on the North Side and then grew up in Wheaton. That’s enough for her to know: Protestant, and to them, sports don’t matter much. Not in the same way.

The White Sox predictably shift her. But I judge her for the same thing she judges me. I don’t tell her I lived right by Wrigley for a while, and what a damn mess, and the menace those fans are. Most of those game attendees are drunk tourists and frat boys in bad sandals with toenail fungus and no shirts, puking and pissing on the streets all around the park. Not there for the baseball, but for publicly drinking around their glaring insecurities. 

Everybody is a Cubs fan; it’s work to be a Sox fan, which feels way more Chicago. Way more along the lines of: the Lager Beer Riot, Pullman Strike, and Haymarket Affair. You have to want it, and you have to be willing to pay for it. Way less: Out for a beer with a pack of blatantly undiagnosed menaces. But ultimately, what does it matter? It’s just a coded language waving in the air.

All of this is packed into a conversation I have in my head around her because there’s no way to make the discussion real, past geographic, verbal, symbolic stenotype. I could say: My grandma worked at the Maurice Lenell factory making Pinwheels and Jelly Stars. Her kitchen smelled like stale bread and cigarettes. All of my Great Aunts had dark shag basements with wood bars and pool tables, Catholic whiskey, and custom clay ashtrays made to fit their palms. In their living rooms, Wedgewood bric-a-brac. On Easter, orchids for the girls and mothers.

My mom’s dad was a printer making ads from lithography stones and retreating to the garage due to so much leftover shell shock and a wicked, undiagnosed wife behaving wickedly inside. His way to still love her was to let her be harmful. I come from many men who were dead cowards in relationships, afraid of their own emotional shadows. I come from women who had to be the men because of that. 

My grandfather hid and made stools, turned beautiful pedestals, and made a bird’s-eye maple dresser. He used melted toothbrush handles to make hinges, and airplane windows to make photo albums, all instead of rising in his life and self; a fear of discomfort, a fear of his own growth. Nearly everybody in that family was or is a frustrated maker and artist. Everybody was always hiding from whatever was harder to do—overdeveloped in one area, stunted and quaking in the other, and making those around them pay for it.

The older lady had a different experience from mine. She talks about spending time on their boat on the lake, their WGN box at Wrigley, and how she still gets a card from the McCaskeys at Christmas. I’m sure she never fainted in a cold drop outside the Music Box from a movie that made repressed and surfacing memories flood back into her body, and her first memories are not of sitting on laps of varying safety watching people play penny Pinochle in smoky kitchens well past bedtime, or cracking out the fine china and silver only twice a year dressed in velvet for an uncomfortable, ceremonial holiday skirting around brutal truths and watching permitted, simmering abuses unfold.

I don’t think she’s conscious of it all as we converse. She hasn’t had to be. She has never found herself at a random gala a friend had an extra ticket to, and then later changing her clothes under the clothes she was already wearing while on the El to go to her friend’s new band’s show with a midnight start at the filthy punk bar. She hasn’t lived high/low enough to know how to seamlessly be both, and when, and where.

retrospect/uncircumspect

I had this sitting in drafts for more than a year, from when I was mentally measuring how far I had to get from myself, from certain parts of myself, and how the parts of myself I moved into were about a different dialect of survival than I had previously known. I also had a risky curiosity about defamiliarizing the self, elected a brand of punishment for what I perceived as a failure, and a wonder about what remains of the self in elected abandonment and alienation.

______

The mutability I conduct necessitates an identified frame that provides a measure for how far I can recede or expand myself, otherwise, the expansion or contraction will simply continue to unspool. And even when it exceeds or shrinks, I was previously too often taken by the movement itself to stop or cease. The momentum became a curiosity, and the effect it had on others was a way to try and please, achieve, and stretch myself, but often meant self abandoning for the interest in witnessing another’s subsequent movement or action, or an outcome I was simply interested in seeing if I could create. A sort of energetic Stretch Armstrong for the sake of it. Again, a curiosity. And probably an excess of creativity.

And, being this mutable, this Sagittarian and Piscean, while the editions of myself that have unfolded over decades have differed somewhat, I know why ages 32-40 were such a stark shock to this life. Why I elected as much. And I knew even then, why I abandoned most of the core of me, occupying my own perimeter, filling in the radius, and abandoning the center aside from a thin, exposed shimmer of the soul; like a cat clinging to the walls of its own room. I know exactly why but it doesn’t make the image or experience any less of a shock to measure from this distance and time. Or, the toll upon my body any less extreme. You can abandon your body for your mind, or your mind for your body, but you will still be charged either way.

I’d occupy the center in potent, technicolor iterations for short times to find out if I was still there. I remember showing up for my dissertation in work coveralls and MAC Ruby Woo lips, pale as a candle and fine fissures throughout from the work. Leni asked me what it meant to write it and I answered incandescent, crying, but in an exhausted cry. Weak, thin tears that made no difference to the state I was in. Like waking up a moment from sleep during a recent grief and realizing you were crying in your dream anyway. But I left there and shut the door. Returned to my own perimeter, stepping over much of myself on the way. A way to live around the mess of wounded, abandoned, and writhing sentience and only access the creative force. Extract the marrow but ignore the meal, unable to occupy my own body in a way that could allow the pain to quarter for a moment.

Between the ages of (I argue) 37-50ish we undergo tremendous Plutonian destruction and then resurrection. Some will get through this period still needing to cling to the fabricated identity of themselves they had hewn in the Saturn return in the late 20s to early 30s. And while that’s the first blush of our adult selves, it isn’t made to carry us through a whole maturation. That’s where Pluto, Uranus, and Neptune go to work in the mid ages. We’re meant to mature by aligning back to our soul and this incarnation’s goals, and then making new choices from that point — in partnership, friendship, work, values, vision, and faith — that better fit our primary self that was born into this life, and that many of us had to fight to keep sight of.

If the mid-life transits (or, the mid-life crisis), which everybody must pass through and is arguably the hardest point of any life lived as long, is the appearance of urge for the unlived life, or, we are led to the door of our unlived life. We can watch as some surrender to it, some choose to fight it and fail, and some are cataclysm-ed and then transformed by it. It tries to reset us to where we’re supposed to be, a jolting realignment, breaking all the ways built on false soil, and where we had ‘notions’ about ourselves or moved too far from our truth.

When I was younger I sometimes took far greater risks than I could afford, and getting as away from my core self as I could was one such way. Generally it turned out fine, resulting in remarkable or rare experiences that made good stories, shaped me for the better, or became important self-secrets, but when it did not, it really did not. And it’s this mutability, coupled with the most sensitive of nervous systems, which should have been protected and sheltered at first by family, and then later by myself. But I didn’t come to that realization until a decade ago and then hurried to push everything away to methodically and deliberately titrate — in a way that’s inherent to me but was not previously allowed — what would be allowed to come in.

If we are individuals who didn’t have families that at least partly fostered and honored our individuality and singular needs and curiosities, we had to steal glimpses of ourselves in far smaller ways, lifting reflections from where we found ourselves most illuminated, even when it was only a spark, suspicion, or resonance.

There are mundane moments in life from when I was young that have stuck with me. Non-remarkable, quickly passing moments where I could feel my soul stretch and breathe before needing to take cover again. One was at a zoo field trip. It was a bright day and warm late spring weather and I had finished eating lunch on the grass outside. My friends had gone in to rejoin the group but we still had time. I realized that nobody who knew me was around. And my family had no idea where I was. And I felt elated to just be out in the world, unknown, and free and alone. It was a tremendous feeling of liberation. Of just being a living breathing thing in the world, energy connecting with other energy. I thought of leaving to experience more of that feeling but couldn’t figure out where I would go.

And another, ice skating on a frozen pond in the winter among tilting, dead, soft yellow prairie grass in winter. I was with my best friend and we were off the side of a pretty busy road. Her mom had just dropped us off and we trotted through the collapsing grasses to the pond and laced on our skates. Two young girls just skating on a frozen pond alone with no sound but some distant cars and wind and a time on a watch we should be ready to leave by.

I knew who I was in museums, in the city, in nature. I knew who I was alone, in rooms, with music, on the floor, at the movies, and especially on paper. But all of those moments were extremely fleeting, mocked, judged, or prevented. Life was in service to the fabricated identities and the terminal fragility and immature violences of others.

It’s impossible when living in a war zone of abuse to figure out who you are. Who you are will not get you fed or seen. Who you are must become a survivalist specializing in the ways that will hopefully generate the least pain on any given day.

When life opens up and becomes more or less your own, it takes years if not decades (and some are never able) to stop magnetizing the same landscape that was lived in. If you are a boxer, you find people to box and situations you have to fight. But if you want to love somebody, especially the self, you have to unlearn that fight. You have to know when you need or want the gloves, and when to keep your hands in ice. And if you are growing in that way, you will need the gloves very infrequently if at all.

I don’t know when I was farthest from myself and pressed into all of the strange secondary aspects of myself, living around my own light. I know I wore a lot of colors, I ate food. There was less blood, and blades. I oriented myself to an osprey nest. I befriended the snakes in my yard, I otherwise let almost my whole life out on contract to others. But I found this piece of writing and I think this was pretty close. By age 38 I knew I had gone too far past myself, and simultaneously, had collapsed in on myself. I knew I was the negative space of myself, hesitant pencil marks and clear surface making my shape. I knew by that age I was going to have to die or resurrect. Eventually, I’d do both, in both literal and spiritual ways.

“And it always felt like I have this unknown deal that’s hard for me to keep.” That’s it. Some part of me knew what I was doing, the cost, and that I was going to keep doing it a while more. It was a costly exile. And a permeating, shocking, fathomless, saturated birth and return after.

draft

From a prompt from a friend’s syllabus to write about a piece of you that was a good loss.

ritual

The bones of it are old-old then it go reskinned in grad school, and I think I might have appropriated the last image from a Neesa Sonoquie piece, but I’ve always loved it. My peers, however, did not like it. I think it’s funny when poetry frustrates people and they want it to be different but they aren’t sure how. I haven’t shared it with a poet-peer who has liked it, which is so interesting to me.

uranus opposition

an old girl, circa 2017

uranus opposition

it opened on a high holiday a great gash in the land under my home pulling in it opened up beneath my instinct above two forced bulbs and did not stop needing everything i could think of went in a colored lens filtered through returned purer heavier my body the entrance the crevice a chamber pulled back up and put me again i became a wreath of tissue in this way an ouroboros symbolic going more in and only potency back until all that was left of me was residue i became a trace a flaked portion a smear across everything that melted with the snow

the climate changed – scorched summer all earth sparked wildfires forced the air raining ash i breathed in as much as i could pressed my chin on collapsed grass and burnt myself over hours turning my hands over dropped whatever was left ran knuckles across warm limestone pressed myself with stinging nettles snuck them in my shoes surprised my heels when i put them on two hooks through the cheeks connected to fishing line attached to a curtain rod above me nod my head yes for a smile nod my head yes and yes

i began the year depleted, wincing but in full fight, finished it a core only some dissatisfying skins, something the wind can blow through and make moan